In other words, Dylan’s unreleased works would have soon become public domain, so the label pressed roughly 100 copies and distributed them to stores in France, Germany, Sweden and the U.K. All the best floyd concert archives, Olly. a one-minute MP3 sample, which he put up on the site. It basically said, 'If you haven't used the recordings in the first 50 years, you aren't going to get any more.’” I dont know if you remember the Bootleg Times of Pink Floyd (Souichiro Fujitas website), but he was contacted by a guy who claimed to have a soundboard reel of Santa Monica 1971 and sent S.F. With everything before that, there's a new 'Use It or Lose It' provision. In 2012, Dylan released a limited-edition collection of outtakes from 1962.Īn employee for the Sony label told Rolling Stone at the time, “The copyright law in Europe was recently extended from 50 to 70 years for everything recorded in 1963 and beyond. That meant many Pink Floyd bootlegs from their Seventies heyday (with big exceptions like Oakland 1977) were hissy. While the band hasn’t acknowledged this mass release, it’s possible they’re taking a similar strategy from artists like the Beach Boys, the Beatles and Bob Dylan - all of whom have issued collections as a form of copyright protection, adhering to a 2011 change in European law. All of the albums boast a copyright of Pink Floyd Music Ltd. As noted Tuesday on Twitter, a commenter on a Pink Floyd fan site recently posted about the recordings, with news appearing to circulate from there.
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